Skip to main content

Sitting in the waiting room

Of the 91 songs Fugazi has released so far, why is "Waiting Room," the first song from their first release, the most often covered? Not that "Waiting Room" is a bad song, but if there is one song that most people know by Fugazi, that's the one. I've heard a few other covers (including face to face's version of "Merchandise" and a local punk band covering "Great Cop"), but so far I've heard the song covered in a variety of places over the years.

A few years ago, Voigt was playing at the Liquid Lounge with the Cut*Off and the Action. During soundcheck, the Action's bassist started playing "Waiting Room"'s intro bass riff, Cut*Off drummer Jim started singing "I am a patient boy" and I yelled, "I wait, I wait, I wait, I wait." We all three looked at each other and shared a brief little moment. We had a brief connection and smiled. "Waiting Room" isn't as well-known as say, Journey's "Don't Stop Believin,'" so finding people that know the song is pretty cool.

Last night, I saw Team Evil cover the song at Bar of Soap. I had never seen the band live before, but Joshua gave me a heads-up that the band does a version of it live. When that opening bassline kicked in, I raised both hands with devil horns and cracked a smile. A number of people in the crowd cheered and sang along as the band did a faithful rendition. This cover wasn't the only highlight of this band's set. They play a nice mix of pop-punk and garage rock with vitality and fun. I'll definitely check them out again.

Then this morning, I read this review of a recent I Am the Avalanche/Angels and Airwaves show. Which song got the tribute/cover treatment from I Am the Avalanche? You guessed right. Upon reading this, I had to ask: what's the deal?

The song itself is not as easy to cover as say, "Longview" by Green Day, but it's easier to cover than say, "Stairway to Heaven." There are random stops and starts, a double-time, reggae-like guitar line and a fractured bass line. The chorus line is pretty straightforward as the rhythms break out of the verse's riff. Not impossible, but a little difficult to pull off for the average musician.

I'm guessing that for most people, if they have any Fugazi records in their collection, chances are good they have 13 Songs (which kicks off with "Waiting Room") and/or Repeater. Those albums are awesome, but those aren't the only great Fugazi records. I argue that all of their stuff is worth listening to, but for a lot of people, Fugazi's most accessible material can be found on 13 Songs, Repeater and/or In On the Killtaker.

I'm glad that people still cover Fugazi and still remember their music. As great as 13 Songs and Repeater are, don't be easily led to think that the band went downhill after that. Though Fugazi is noted as a key influence on many bands, I have yet to hear a band that sounds exactly like them. Even though they're not playing together at the moment, they're still as relevant when they were playing together.

Comments

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J