Skip to main content

Downward is Heavenward

Major kudos go to Frank for recently sharing a live clip of Hum performing "I'd Like Your Hair Long" on 120 Minutes. Merely watching this performance reminded me of how powerful this band was and why. The deal is (and sad thing as well), bands like Hum seem to fall into a weird category with people. It's a category that is filled with all sorts of '90s alt-rock bands that are not as well remembered today. It's as if they fell into a black hole.

In Hum's case, their single, "Stars," received some very nice airplay back in '95. Not only did you hear the song on modern rock radio, a portion of its video was featured on Beavis & Butt-head. Their album, You'd Prefer an Astronaut, reportedly racked up sales of 250,000 copies. It was no small feat and there was a lot of promise for its follow-up. The deal was, despite Downward is Heavenward being a better album, its sales figures were far less than Astronaut. The band quietly went away in 2000, but did a one-off reunion a few years later.

What bugs me to no end with rock history is how people tend to make light of the years between '94 and '01. A whole hell of a lot happened during that time, but to a modern, populist audience, it seems rather scatter-brained. Trends like pop-punk, ska-punk, big band swing, and electronica were just some of them. Radiohead's The Bends and OK Computer came out during this time for crying out loud. But for so many alt-rock bands that enjoyed mainstream success during the mid-'90s, they seem more or less as cult favorites. I'm talking Hum, Sponge, Veruca Salt, Tripping Daisy and even Seven Mary Three.

Why I want to make sure that people don't forget these bands is simple. Seeing what I've seen with nostalgia and how it packages history so concisely, this time is more than likely to be glossed over. In other words, the next installment of The History of Rock 'n' Roll will go from Nirvana to Green Day and then the Strokes and White Stripes. Just like how it went from the Sex Pistols to Nirvana and hip-hop, there were some crucial years seen merely as developing years. That, in my opinion, is nonsense.

No, you will not find You'd Prefer an Astronaut or Downward is Heavenward as influential as Nevermind or Dookie were to a populist audience, but that doesn't mean they were some cult flukes. In the case of Hum, they were a band that effectively used spacey atmospherics, thick and colorful guitars, busy drumming and conversational vocals. I'm firmly aware that doesn't make them easily typecast, but that's fine by me. What isn't fine by me is tossing them off and forgetting them.

Comments

Rj said…
You should never forget people you've tossed off... hehehe

"Here's a little number I tossed off recently in the Caribbean."

Hum is fantastic. bands that you see with their influences are Deftones(the newer stuff) and Chevelle. There's even bands around here that reference bands like Hum, Quicksand, Helmet, Shiner, Failure and other smart hard rock bands. Personally that is one of my favorite genres, when done right. I would love to be in a band like that.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J