Skip to main content

Onward, through the night

It has been a full year since I lost my friend Evan Chronister to an accident. I have written plenty about what he meant to me when he was alive (this piece and this piece sum up everything pretty well) and I have certainly not shied away from talking about him to friends, family, and co-workers during these past twelve months.

This is how I've processed the grief, which I accept is an ongoing matter. And I think a part of this process is sharing what life has been like without him in the physical sense.

When I go to record stores these days and see a vinyl record reissue, I remember the caution he told me, as well as many others: the record label is ripping you off! Many reissues of classic albums simply ported over a CD mastering to vinyl, thus making it not an actual vinyl mastering. He could tell in the sound quality, and while I took his advice seriously, I have yet to do a side-by-side comparison. The guy cared about music listening as much as the music itself.

Only a couple of days after his death, my housemate Joel and I inherited a lot of vinyl LPs from his massive collection. From Ghost to Hawkwind to Saxon to Rainbow to Rush, I have tried to give these records as much love as he did. I identify myself as a music enthusiast, and my vinyl collection continues to show that as I have Goblin next to Andrew Gold, Mastodon next to Johnny Mathis, and Blue Oyster Cult next to the Born Free soundtrack. I don't show my collection to impress people. It's more to show how scatterbrained my taste in music is.

Evan never gave me hell about liking what I liked, which was refreshing. I was so used to being chastised for liking Black Flag, Rush, and ABBA. He recognized the passion to find music you love, no matter how hip or un-hip the artist was. That's an idea I've really tried to stress to impressionable music fans I know.

For many years, I would fear making musical recommendations to people. Too often, I'd praise something that people found to be the opposite of praise-worthy. These days, I'm happy to recommend bands to people that are curious. It's not an invitation to the Cool Kids club; it's an educated guess based on musical preferences.

I have a cousin who's in college now. He's into all kinds of music and is open to recommendations. I decided to make an ongoing Spotify playlist for him that I update weekly. I don't fear him disliking something I put on the mix. I'm simply happy to interact with somebody who likes to seek out things he's never heard before.

Over the summer, I talked to my cousin about seeing concerts. He lives in an isolated college town where a lot of country acts hit, but certainly not a regular stop for any other genre of music. I suggested he ask around with friends who play music if they know of any performances that happen in the smallest, non-traditional places, like coffee shops and garages. Apparently he's all about the local scene now, and I'm happy to hear about how much he loves it.

It's highly doubtful I'd be inclined to roll the dice and make suggestions if it weren't for Evan. Now I find recommendations to be an enjoyable activity.

I learned a lot from Evan and I certainly miss him, but I'm glad I did know him and many people who knew him well. The memories of my time with him will not fade away. I must continue the life I want to live, and I hope those who knew him do, too.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

The Complete Idiot's Guide to Ben Folds and Ben Folds Five

Originally posted on Tuesday, April 11th, 2006 : For some, Ben Folds Five was merely a one hit wonder. For others, the trio was a life-changer. Myself, I’m one of the latter. Being formally introduced with the “Battle of Who Could Care Less” video on 120 Minutes , I was very intrigued to know more about this piano-bass-drums combo. Once I heard Whatever and Ever Amen , I was hooked. As a matter of fact, out of all of my favorite bands, Ben Folds Five is one of the few that I liked right away and I have held the same kind of admiration ever since. Their three proper albums (and one b-sides collection) are staples in my record collection and they may very well be (or soon be) staples in your collection too. For a band that was once described as “punk rock for sissies,” you may realize how effortlessly these guys walked between fun, semi-goofy pop songs and some really deep and powerful stuff too. It helps that they had it right from the beginning and kept maturing. Ben Folds Five (1995) ...

Politics Shmolitics

Yesterday, the more pleas I saw for people to go out and vote, the more uncomfortable I felt. Plenty of the blogs I hit up everyday said something along the lines of "Vote and if you don't, don't complain." Folks, this is why I find discussing politics so alienating. There are plenty of reasons why I don't discuss politics on here or in my everyday conversations. The biggest reason is because I don't have a lot of interest in politics in the first place. By what I've seen, heard and read for the last eight years, political debates are usually pissing contests. Judging by the views I've processed, it would be easy to think that we're all slowly going downhill either on the left, right or down the middle. Yet I don't think we're going totally downhill or totally uphill. Debating the direction we're going seems futile, especially when adults start screaming at each other like they're in grade school. To my ears, political debates are s...