Skip to main content

Onward Quirky Soldiers

Continuing on the root of a routine, I seem to see the same local bands play over and over again. And I rarely get tired of seeing them. Sure, I see plenty of other bands, but I definitely see my favorites as much as I can. To me, it's more than just seeing some songs performed live. And it's not just some social clique either.

Back in high school, I saw Matt's band play in all kinds of places. Backyard and block parties, the Young Life church, talent shows, Battle of the Bands, and so on. I must have seen them play thirty times and I always enjoyed the experience. No two shows were alike, so maybe that's why I continued this approach in college.

Some of the greatest bands I've seen live were from right here in Dallas/Fort Worth. Chomsky and Red Animal War rocked my mind in different ways. Chomsky had their skittish, melodic rock while Red Animal War made twisted post-hardcore into something of its own. Whenever they played and I was available (which was usually the case), I'd head on out. It didn't matter if they were playing as close as the front of campus or up in Denton, I was there because I wanted to be there.

Probably the best part of seeing local bands over and over is getting to know the band members personally. It still means a lot to me that I can shoot the breeze with somebody and then watch him or her play a great set. I definitely would not have that experience seeing Coldplay at the American Airlines Center. I don't mean to say that in a snooty way; there's a deeper, personal involvement this way.

My point is that I have a routine of seeing the same bands repeatedly. I'm not one to blindly walk into a venue not knowing anybody on the bill. Suggestions are always welcome from people I know and I always try to arrive early/stay late for the other acts on the bill. But why I stick to this routine is because I know that I will enjoy the show and get my money's worth. When I hear about how ticket prices just go through the roof to see someone like Barbra Streisand or the Police, I wonder if I would get any pure enjoyment by paying out of the nose. That's very doubtful to me.

Comments

Ted said…
Even though I am paying a lot of money to see The Police, it's worth it to me because I've never seen them live.

But I hear ya on getting to know bands and their members.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J