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Straight Ahead

Two short show previews are now live on the Dallas Observer's page.

Pennywise/Pepper at the Palladium Ballroom
Maybe it's to their detriment--or maybe these bands just happen know exactly what their devoted audiences want--but Pennywise and Pepper preach to the choir. Keep in mind this is a choir large enough to fill a venue like the Palladium.

Read the rest here.
The Gaslight Anthem, Heartless Bastards at the Granada Theater
Earnest, but not earnest like a mall emo band, and punk rock, but edgier than mall punk bands, The Gaslight Anthem, which also throws a heavy dosage of Springsteen into the mix, goes far beyond most Warped Tour attendees' grasps.

Read the rest here.

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The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...