Skip to main content

La Resistance!

I have a few Stereolab records in my collection: Cobra and Phases Group Play Voltage in the Milky Night, ABC Music - The Radio 1 Sessions and Refried Ectoplasm. I've always liked their music, but I don't listen to them as often as other acts. Oftentimes I feel hypnotized by their simple and repetitive guitar/keyboard lines. And for the longest time, I never even knew what they were saying in their songs. It only was until I heard the Editors' cover version of "French Disko" that I realized what was really being said.

I've never read Karl Marx, but after years of seeing 'Marxist' mentions in write-ups on Stereolab, I now see a connection. Editors' vocalist Tom Smith makes the pseudo-Marxist lyrics clear: "Though this world's essentially an upset place to be living in/It doesn't call for total withdrawal/I've been told it's a fact of life, men have to kill one another/Well I say there are still things worth fighting for" I don't know if these lines are directly inspired by Marx, but I find them inspiring regardless. Amazing what a cover song can do.

Also interesting, if not a little funny, is understand what is said in the chorus. I always thought the line was "Loud as a storm." Well, it's actually "La Resistance!" Oops. I couldn't help it: even now, I still can't really understood what Lætitia Sadier says.

For a lot of artists (from Deftones to the Cocteau Twins to My Bloody Valentine), the lead vocals are used more as a background instrument than a lead instrument. I don't think that's a bad thing, but when there are no lyrics printed, it's a pure crapshoot with trying to comprehend what is being said. Maybe that's the point. Maybe the lyrics are supposed to ambiguous.

I'm not somebody who wants all lyrics to be as plain and clear as rain. However, it's nice when a cover can translate a clearer message. Like a fellow friend of mine says when he refers to "Mr. Tambourine Man:" "Bob Dylan wrote it, the Byrds translated it into English."

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,