Skip to main content

Fidgeting Wildly

A few months ago, I posted the following comment on a friend's MySpace page:

Hey, when can my metal band get a nice, big write-up in one of the magazines you write for? We don't have a label yet, but we're working on it. We haven't played a show yet, but we have some offers. As a matter of fact, we don't have any songs just yet. Oh yeah, we don't have a name yet or any band members. We have a manager though! That said, how can this be cooked up in a couple of months? :-)

I wrote this after hearing about a few bands that formed more like the Backstreet Boys than a garage band. The comment was meant to be a joke, but ever since I wrote this, I've read about more bands that form this way. It's not an across-the-board epidemic, but I'm baffled by how bands form this way. Is this really a band at all?

Be it Panic! At the Disco, Cute is What We Aim For or Boys Like Girls, these bands come together and cut a record just a little after the conception period. It's like they form, cut a record and then start playing shows. Thanks to management ties or booking agents, these bands get on big bills and essentially piggy-back with the other bands. Now, not to sound like a certain green-colored fellow who lives in a trashcan on Sesame Street, but that's not the way I'd ever want to start a band at that age.

I do know of bands that cut a record before playing a show and they're spectacular. The deal is, Centro-matic and The Crash That Took Me are not made up of recent high school graduates hoping to get a nice timeslot on the Warped Tour. If anything, these bands started out way more casually. Becoming a full-fledged touring band with a record deal was not the main goal. It was something fun to do on the side. It was not a race to escape college life and become a rock star.

Some sage advice Ian MacKaye told me a few years ago rings very true in this case: "I don't think that people should make a record and then start playing shows. I think they should play shows and try to figure out if their songs are any fuckin' good before they make a record. Think about what the word 'record' means. It's if you record something, you save it for posterity. Are you making something to sell with someone or are they making something to document? And if you're making a document and you're just making a record before you haven't even played a show yet, then what kind of document is that?"

The reason why this stuff bugs me is that this is a misleading way to do a band. I'm not surprised when I read about how half-formed bands with half-formed songs really struggle in the studio hoping to cut some fully-formed, glossy record. But I just hope that teenagers see right through this nonsense and do it another way.

Comments

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha...

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks!