Skip to main content

No stars are out tonight

Over the weekend, while watching a clip of Jack Wagner performing "All I Need," I wondered about the art of a good lip-sync performance. In the case of the Wagner clip, it is the exact opposite of Michael Jackson lip-syncing to "Billie Jean." Here's a rundown:

What's wrong with the "All I Need" clip
1. Clearly, the instrumentation of the group is nowhere near what you're hearing. Jack might be strumming a guitar in the intro, but you sure can't hear anything other than vocals and keyboards. And drums never sound like that in a live setting.
2. You see half of his backing group singing backing vocals, but all you hear is Jack's voice.
3. And yes, the hairstyles and clothes are silly. (Yeah, yeah, it was the 80s, I know.)

What's right with the "Billie Jean" clip
1. There's a big difference between a lone singer lip-syncing to a backing track and a group miming to a backing track.
2. The dance moves totally sell the performance. Even a purist can't help but be moved by the power of Michael at this point in his career.

Now it might be unfair to compare a power ballad with an uptempo R&B track, but there's something to be said about a mimed performance that is embarrassing to watch and another that can send chills up one's spine.

I grew up on watching mimed performances on Solid Gold and American Bandstand. I didn't know what lip-syncing was until middle school, and to be frank, I didn't care if the vocals or instruments were "live" at that point in my life. Of course, the purist attitude kicked in and wanted to see live bands in the now and real, but for now, I understand both ends of the spectrum. A purist might dismiss a lip-sync performance of Wham! on American Bandstand, but would probably watch Scott Walker mime to "Jackie" on Dusty Springfield's show.

I accept the fact that lip-syncing all about the performance. Besides, not everybody wants to approach a live performance like the Replacements.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

The Complete Idiot's Guide to Ben Folds and Ben Folds Five

Originally posted on Tuesday, April 11th, 2006 : For some, Ben Folds Five was merely a one hit wonder. For others, the trio was a life-changer. Myself, I’m one of the latter. Being formally introduced with the “Battle of Who Could Care Less” video on 120 Minutes , I was very intrigued to know more about this piano-bass-drums combo. Once I heard Whatever and Ever Amen , I was hooked. As a matter of fact, out of all of my favorite bands, Ben Folds Five is one of the few that I liked right away and I have held the same kind of admiration ever since. Their three proper albums (and one b-sides collection) are staples in my record collection and they may very well be (or soon be) staples in your collection too. For a band that was once described as “punk rock for sissies,” you may realize how effortlessly these guys walked between fun, semi-goofy pop songs and some really deep and powerful stuff too. It helps that they had it right from the beginning and kept maturing. Ben Folds Five (1995) ...

Politics Shmolitics

Yesterday, the more pleas I saw for people to go out and vote, the more uncomfortable I felt. Plenty of the blogs I hit up everyday said something along the lines of "Vote and if you don't, don't complain." Folks, this is why I find discussing politics so alienating. There are plenty of reasons why I don't discuss politics on here or in my everyday conversations. The biggest reason is because I don't have a lot of interest in politics in the first place. By what I've seen, heard and read for the last eight years, political debates are usually pissing contests. Judging by the views I've processed, it would be easy to think that we're all slowly going downhill either on the left, right or down the middle. Yet I don't think we're going totally downhill or totally uphill. Debating the direction we're going seems futile, especially when adults start screaming at each other like they're in grade school. To my ears, political debates are s...