Skip to main content

Conditions of my parole

I covered Puscifer's show on Saturday night at the Majestic. Quite a different kind of show than anything I've seen before, but it was quite enjoyable.

Interesting side note: Sitting next to me was someone I've read a lot of ire about from Zac Crain: the Dallas Morning News' music critic Mario Tarradell. Tarradell was very friendly and engaged in the show (just read the guy's live Twitter feed), and I didn't ask what he thought of Zac. Remember, there's what you say in person and then there's what you say online for everyone to see. Pretty different worlds.

Comments

Popular posts from this blog

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks! 

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these gu...