Skip to main content

The Meadowlands

200 pages into Deathly Hallows and I still haven't checked out any spoiler sites (though I did take some peaks at future chapters). While I'm at a good stopping point, I wanted to share my experience of seeing one of the best shows I've ever seen . . . and it was this past Friday night.

New Jersey's finest the Wrens came back to Denton on another one of their weekend tours. Due to job and family commitments, the band has been doing these kinds of mini-tours for quite a few years now. Because of the responses found with Denton audiences, they always put it on their schedule. Winding down another tour, they hit up Hailey's on Friday.

Though I've never heard any of their records before, it felt like I had been listening to these guys for years. Moody interludes weaved with pumping songs sounds like a formula done way too many times, but if it's done right, it doesn't matter. These guys played well and were incredibly sincere about every note they played, lyric sung and in-between song banter said. I wouldn't go so far and say they played like it was their final show, but it was close enough. Hopefully a new record will come out later in the year or next year.

What was also inspiring was how well these guys have aged. If you only looked at the band members instead of listening to their music, you'd think they were more apt for the county fair/wedding circuit. The drummer looks like a PE couch and one of the guitarists looks like he could be in the current line-up of Chicago. Nevertheless, when they played, they weren't trying to recapture their youth or pretend to be someone they weren't. They were themselves.

In a time when I wonder if how many music "fans" are really just serial downloaders with no real allegiance to bands that aren't talked about on MP3 blogs, I wasn't seeing this at the show. The place wasn't packed to the gills, but it was well attended by people of all ages. Heck, Jason and I might have been the only few up front who weren't singing along. When fifty members of the audience came up on stage to bang on the floor with drumsticks or bare hands, it was about creating a moment that you definitely couldn't have at home listening by yourself. Like the show as a whole, it was a purely tribal moment. And a fantastic one at that.

Comments

butterfly said…
i am only 300 pages in...i suspect i will be done by the end of the weekend.

sorry so random - saw your blog listing on dfw blogs, thought i would stop in and say hello.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,