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Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha
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The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air
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Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J
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