Skip to main content

About that cover photo . . .

If you've checked out Mission Label's press release for Post, you've seen the book's cover photo. If you're curious as to who that is or where that came from, there's a story behind it.

In early 2000, I went to a show in Denton at a renovated car garage called Green Means Go! I showed up early to see the first band play and that first band was Red Animal War. I had heard a couple of their songs online beforehand and had walked in right as they were finishing a set at the Door a few weeks before. I liked what I heard but I wanted to hear and see more. I made sure that I didn't miss the show at GMG! and I was glad that I came out early. Why? Because their set changed my life.

I had always heard of people that dropped everything to help a band out but I didn't understand this until I saw Red Animal War play. Here was a band of guys that looked intense (on and off stage), played intensively and rocked hard. Their songs were jarring and angular but there was this amazing melodicism too. This wasn't wimpy emo, jazzy spazzcore or noodily math rock; this was a bridge between those extremes. Justin (singer/guitarist) was especially charged that night and I felt I should take a few pictures of what I was seeing. I had my camera on me because I planned to take some pictures of the second band, [daryl], but Red Animal War stole their thunder. I ended up taking three pictures of Red Animal War and the one that will be on my cover is the last one that I took.

There is something to be said about Justin's facial expressions and the fact that he's not singing directly into the mic. What this picture says to me is just do what you want to do, whether or not people are listening. Sounds like a simple concept, but when you see it strikes you in a violent but beautiful way, it's unique. I felt drawn to these guys and wanted to help them out in any way I could.

Following the show (which was shut down prematurely by the fire marshal), I approached Justin and Jeff about possibly being on my radio show on KTCU. Turns out, Jeff was a fan of KTCU and Justin recognized me from a show few months earlier (Burning Airlines/Faraquet at Rubber Gloves). From that night on, I had Red Animal War on my radio show twice, saw them play live countless times and have kept in close touch with Justin. Whenever I see him, he's always asking about the book and I'm always happy to tell him what's the latest word.

I know it's a little hard to translate to others how a band or a record can change your life because it's more on feelings than words, but I think we all have those moments. Since I took the picture, owned the rights to it, got Justin's OK and felt the picture said something that was all-encompassing about the book's themes, that's why it's on the cover.

Comments

Eric said…
Thanks for linking up to me. I will certainly link back to you. I look forward to checking out your book!

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

The Complete Idiot's Guide to Ben Folds and Ben Folds Five

Originally posted on Tuesday, April 11th, 2006 : For some, Ben Folds Five was merely a one hit wonder. For others, the trio was a life-changer. Myself, I’m one of the latter. Being formally introduced with the “Battle of Who Could Care Less” video on 120 Minutes , I was very intrigued to know more about this piano-bass-drums combo. Once I heard Whatever and Ever Amen , I was hooked. As a matter of fact, out of all of my favorite bands, Ben Folds Five is one of the few that I liked right away and I have held the same kind of admiration ever since. Their three proper albums (and one b-sides collection) are staples in my record collection and they may very well be (or soon be) staples in your collection too. For a band that was once described as “punk rock for sissies,” you may realize how effortlessly these guys walked between fun, semi-goofy pop songs and some really deep and powerful stuff too. It helps that they had it right from the beginning and kept maturing. Ben Folds Five (1995) ...

Politics Shmolitics

Yesterday, the more pleas I saw for people to go out and vote, the more uncomfortable I felt. Plenty of the blogs I hit up everyday said something along the lines of "Vote and if you don't, don't complain." Folks, this is why I find discussing politics so alienating. There are plenty of reasons why I don't discuss politics on here or in my everyday conversations. The biggest reason is because I don't have a lot of interest in politics in the first place. By what I've seen, heard and read for the last eight years, political debates are usually pissing contests. Judging by the views I've processed, it would be easy to think that we're all slowly going downhill either on the left, right or down the middle. Yet I don't think we're going totally downhill or totally uphill. Debating the direction we're going seems futile, especially when adults start screaming at each other like they're in grade school. To my ears, political debates are s...