Skip to main content

H2O Go!

"My friends look out for me like family" - from H2O's "5 Yr. Plan"

"I was thinking about the good ol' times/and all the people who helped me survive/and who the hell knows where I'd be without the branches of a family tree" - from H2O's "Family Tree"

While I haven't really kept up with H2O in the last few years (I don't even know what label they're on now), their impact on me is still felt. Here's the story:

Back in the late-'90s, I thought hardcore-tinged punk rock was synonymous with tough guy machismo. If you weren't ready to throw down in a mosh pit, it was best to stay away. I didn't hear much about brotherhood in this music; I heard shout-along slogans about being straight edge and how much life sucked. In other words, I thought all hardcore was a voice of frustration, not a voice of hope.

I was introduced to H2O via a short-lived show on MTV called Indie Outing, which showcased up-and-coming acts on indie labels. What struck me about the band was that despite their tough-guy image (musclebound guys with arms filled with tattoos), they were singing about the importance of friendship. This was hardcore too? This was great and I could relate to this. The band, especially singer Toby Morse, was very sincere (he still is). I picked up both their self-titled debut album and Thicker Than Water and proceeded to play them frequently for the next few months (and returning to them in the next few years). Eventually I got burned out on H2O following the release of their 2001 album, Go!, due to my dwindling interest in pop-punk.

As I think about the ideas that have stayed with me through the years, I keep going back to what Toby was singing about all those years ago. The attitude that you can have your own ideals and get along with people that don't match your's is really cool. I learned that you could be sincere, be honest with your feelings and not be cheesy. This was a little foreign with a lot of hardcore and punk back in my day.

So much of the hardcore that I saw was an uncompromising, "believe this or else," creed with strict beliefs on things like not drinking, not smoking and not fooling around. Seeing people flip out if someone wasn't straight edge or vegan or whatever else puzzled me: what does any of this have to do with the music? This was more like a violent cult filled with intimidation. This didn't seem like it was based on harmony.

H2O wasn't violence-inducing moshcore where you had to display your beliefs with X's drawn by a Magic Marker pen on your hands or with patches loosely sewn on your clothes. Talking about how important your friends were to you knew no boundary with race, age, scene or upbringing. This was what punk rock and hardcore meant to me and what it still means to me.

Comments

Eric said…
Nice post! H20 proved that sensitive guys with tattoos could also lift weights and rock their asses off.
Eric Grubbs said…
Amen to that!

"Don't forget your roots."
Anonymous said…
I agree completely. And I still do, especially since I got burned out on much of the punk scene for being too elitist for itself. I have always loved those H2O guys.

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha...

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks!