Skip to main content

Hard Times Are In Fashion

Koufax released their third proper LP, Hard Times Are In Fashion, on Tuesday. If you've followed these guys since the beginning, you know they have yet to make a record with one consistent line-up. Essentially a duo consisting of guitarist/vocalist Robert Suchan and keyboardist Jared Rosenberg, they've had a few drummers, bassists and even once had a second keyboardist. Now as a five-piece with Ben Force on second guitar, Rob Pope on bass and Ryan Pope on drums, and despite all the shifting line-ups, Koufax has made yet another solid record.

For such a guitar/keyboard-heavy band, I think it's cool that Hard Times Are In Fashion features some pedal steel guitar on a few tracks. Now don't take that to mean that Koufax has gone into hokey country territory. This is some of the same good stuff they've done since their debut LP, It Had to Do With Love, but with some new touches.

Suchan's lyrics often touch on relationships, whether they're on friends or girlfriends or wives, and while that's still in tact on Hard Times, there are quite a few observations on the post-9/11 times. "This is the age of no feeling," Suchan declares on the lead-off track, "Why Bother At All?" I know apathy is always around, but I think it's even more prevalent these days. Plus, with the rather less-than-sympathetic views of the US in spots all over the world and Koufax's tendency of touring in certain foreign spots, it comes as no surprise that this is brought up in the lyrics. Being treated like you're a problem because you're from the US provides a rather fresh take on what it means to be an American these days. With so much hoot and hollerin' about who's "anti-American" or not, Suchan isn't getting on his high horse; he's just telling his side.

As a fan of Koufax, I'm glad that the band has stretched out, aren't resting on tired laurels but aren't doing something radically different. Who knows what they'll cook up next . . .

Comments

Anonymous said…
I agree, Eric. Check out my review of it here:
http://avclub.com/content/node/25300.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,