Skip to main content

The problem with being "Single?"

Driving around town for the last few months, I've seen a few signs (from billboards to tiny plastic cards sticking out of the ground) that carry the advertisement of "Single?" with the name of a website listed below it. Now I may be taking this wrong way, but I get the feeling this kind of advertising is no different than saying "Overweight?" or "Depressed?" The message that I get is that this single word is a major problem in someone's life and it needs to be fixed. Well, who said this stuff (especially being single) was really bad?

Being overweight and/or depressed are not traditionally good for one's health, but I don't think of being single as one. As I've learned the hard way, things sell a little better when the means to take care of these "problems" sound cheap and easy to do. There's nothing like imagining in black and white in order to crush one's expectations.

I've been single for a number of years and like a lot of things in life, it's a mixed blessing. Sure, it's nice to do whatever the hell I want to whenever I want to and not check in with somebody else. However, not getting to share a certain kind of enjoyment and encouragement with someone else is a downer. I'm aware that there is a trade-off in almost every action, so I don't get my head in the clouds thinking that certain problems will cease once something in my day-to-day life changes.

I'd really like to believe that the reasons why I've been single for so long are because of bitterness, anxiety and inexperience, but I can't. Ultimately, I haven't met somebody that I've really wanted to get to know much deeper than a friendship level and that person has wanted to do the same. Bitterness and anxiety play into my distance, but they aren't the biggest reasons.

To me, most of the business of connecting people is built on smoke and mirrors. Sure, you hear about people getting together through interaction via the Internet, but I still hear more about people getting together because of pure chance in person. While I understand that certain people have schedules that make it difficult to meet new people, I leave the chances of connections up in the hands of other forces I can't control (insert whatever Christian, Buddist, Lucas, Tolkien or Rowling reference you want to).

I'm constantly amazed by how things work out because of something often called "dumb luck". There's nothing dumb about luck; stuff pans out, but not in the way we thought they would. When I see people go way out of their way trying to enable things to work out in their favor, I'm not surprised when they don't fully pan out.

I used to be very annoyed with being single. When I was able to see through the eyes of lonely person in a relationship, my annoyance went slightly away. As I said, there's a trade-off to almost every choice, so I just prefer to choose wisely.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,