Skip to main content

Where do you put all the rock music?

Remember when a number of rock radio stations (as in, hard rock to metal to modern rock) were dropping like flies all over the country? It wasn't that long ago and it seems like the sackings have tapered off for the time being. As of late, I've noticed a trend with a lot of songs that were mainstays in the format: they are getting a lot of play on talk radio.

These days, I hear songs by Pantera, Guns N' Roses and Van Halen used as theme music for a number of talk shows. It doesn't matter if it's a liberal or conservative show; I hear them on both. I find the usage rather cool, but I'm a little confused: why hard rock over other kinds of music, like dance and pop rock? Is the intent to grab the listener's ears? Maybe it is, but why do so many shows use this kind of music?

Hear me out: I still dig this music even though I listened to it much more when I was in middle and high school. Hearing "Mouth for War" again reminds me of the good ol' days of Headbanger's Ball and Beavis and Butthead. These songs still hold up, but I find myself listening to other kinds of metal (like Converge and Dillinger Escape Plan) more than anything else. Maybe it's different levels of angst that people go through that bring such desire. I think it's about having a variety of music in one's diet.

In some martkets like Dallas (where its Eagle was blown up and then turned into a lite rock station), the chances of hearing this music anywhere on the radio dial is slim. The Edge, the modern rock station in town, adopted some of the Eagle's playlist to accomodate listeners, but it's still a modern rock station. Yes, it sounds a little weird to go from the Killers to Nirvana to Metallica to Korn, but at least it's something.

I'm amazed at how this music is being recycled by a completely different format. Adults listen to these kinds of shows more than teenagers, so I'm puzzled by the song selection. This is the kind of music that is perfect for sports arenas, but we're talking about talk shows here. No physical violence is going on. There is no cheering crowd. There is no scorecard. What is the connection between these two formats? Is there a connection at all or is this just a trend?

Comments

Eric said…
I actuall listen to Converge's latest "You Kill Me" today. Woah. Definately cleared my head.

You really should write a book or something like that. You have so much interesting stuff to say.

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha...

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks!