Skip to main content

Indefinite hiatus

I've been thinking about how bands these days announce their break-ups. The phrase "indefinite hiatus" is most frequently used, but what does that really mean? In the case of Sleater-Kinney, some doors sound like they are open for possible reunions in the future. In regards to other bands that have used that phrase, some mudslinging has come out, implying that the doors are shut. Ex-members of At the Drive-In and blink-182 have made some rather choice words about certain other bandmates, but even with that, time only tells about these sorts of matters.

With blink-182, bassist/vocalist Mark Hoppus recently did a long-ass interview about the unraveling of the band. Pointing at choices and decisions dictated by guitarist/vocalist Tom DeLonge as a big reason, what was once a democratic band was now rotating around one person. This of course doesn't paint DeLonge in a very positive light, but then again, the guy dug his own grave with his words a few months ago. Making bold claims about his new band, Angels and Airwaves, in print (check out my post on this) and making himself out as a goofball onstage (here's a live review), DeLonge definitely looks like the bad guy here. I'm not seeing a reunion in the near-future.

So why is all of this intriguing to me? Well, I find it's interesting how bands unravel, just like in ordinary, everyday relationships. Rock stardom can really change people and break up solid foundations seemingly forever. However, growing up with bands who claimed they would never get back together, it always seemed odd whenever the band did get back together. Lawsuits and mudslinging make for great copy, but that stuff tends to be made light of when the band reunites. Be it Pink Floyd, the Pixies or the Eagles, the reunited bandmates will often say that time heals as they go about a reunion show or tour.

Is "indefinite hiatus" a way of being optimistic for a reunion or is it just a phrase that pulls a curtain over a nasty break-up? I don't know, but each band is different. I'm not one that pines for reunions, but I am glad to see what appears to be happy endings.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,