Skip to main content

Love goes out the door when money comes innuendo

I can be so clueless about song lyrics. As I've said before on this blog, Radiohead's Thom Yorke could sing his grocery list and I wouldn't realize it until I read the lyrics. I'm always listening for the melodies and not trying to see if the lyrics make any sense. Well, it's recently come to attention that an AM gold hit that I grew up on is about one thing and one thing only. "This song is about daytime lovemaking," as legendary broadcaster Ron Burgundy says in his version, "the naughty type."

The song I'm referring to is "Afternoon Delight" by the Starland Vocal Band, a pop rock staple of the '70s. You still hear this song all the time, but here's the rather "Huh?" factor: parents complain all the time that there are so many sexual overtones in the modern music their children listen to while they make light of all the sexual references in the music they grew up on. Well, sorry, I ain't buying the "It was a different time" excuse anymore.

In the case of "Afternoon Delight," let's look at a couple of lines that leave nothing to the imagination:

Why wait until the middle of a cold dark night
When everything's a little clearer in the light of day

and
Thinkin' of you's workin' up my appetite
Looking forward to a little afternoon delight.
Rubbin' sticks and stones together makes the sparks ignite
and the thought of lovin' you is getting so exciting.

Growing up, I never pictured daytime lovemaking when I heard this song. As a matter of fact, I always thought this song was about having an afternoon snack at a picnic with fireworks shooting off in the sky. Well, just like the realization that Bryan Adams was not singing about the summer of 1969 in "Summer of '69," some imaginations get changed over time.

I know there are subtle ways and not-so-subtle ways about talking about sexual innuendo. Sometimes no innuendo is implied at all. I'm still convinced that "I Want to Hold Your Hand" is really about holding a person's hand. "Dancing Queen" is about a young dancing star. "Beat It" is about not fighting. Yet a song like "Go All the Way" by the Raspberries is about one thing and one thing only.

Am I missing something here, or were these songs ever thought of as controversial in their day? I know of plenty of songs that were controversial in their day because of supposed drug or sexual overtones ("Puff, the Magic Dragon" anyone?), but these days, they're thought of as totally harmless. Now I'm not trying to sound like some moral analyst here, but come on, why do parents flip out about a modern song that sings about "the nasty" while they are perfectly fine with "Afternoon Delight"?

Comments

fuzzbuzz said…
Today's language is so crude. What comes to mind is " I want to F* you like an animal"....now, ten years down the road you won't have a lightbulb go off over your head on that one. No fun! Theres nothing left to the imagination in today's music...except trying to figure out what the hell half of them are mumbling.
Anonymous said…
There's a great episode of "Arrested Development" about the sexual overtones of "Afternoon Delight."
Rj said…
someone beat me to mentioning arrested development.

Another song for you is "got to get you into my life" by the beatles. I read a biography about the beatles, where Paul says that this song is actually about marijuana. They had just smoked up for the first time with Bob Dylan, and Paul wrote the song.

Oh, and I felt like an old man the other week. My apartment complex was having pool party, and I stopped by to grab a free beer. They had a DJ there, and he was spinning some real crap.

One song he played must have been called "I'm in love with a stripper", because that is pretty much said over and over again as a "chorus". There were like thirty kids under the age of ten there. There were some older people there as well. I felt embarrased standing there drinking my free beer.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,