Skip to main content

Four Years in One Gulp

Since March 1st this year falls on a weekend (when I normally don't blog), I figured I'd share some thoughts and reflections about the four years it's taken to finish Post. I'm currently on page 137 out of 212 on the "read-aloud" final edit. Once that's done, it's off to the printer . . .

Why did it take four years? I have plenty of reasons.

First of all, when I started writing, I really had to learn how to write from scratch. Sure, I had written quite a few research papers, critiques and scripts for school, but they don't technically count. I had to find a voice and a writing style that I was comfortable with. Run-on sentences may be easy to write, but they're really hard to read over and over again.

Secondly, after doing a few interviews and getting in contact with more people, I wanted to interview as many people as possible. Since a certain book I loathe seemed to skimp on getting much from the band members themselves, I wanted to take my time with this. Back when I reached a frustrating now-or-never point almost two years ago, I lucked into interviews with certain people I never thought I'd interview. Not to imply they were difficult people, but tracking them down and getting them on the phone was a test of persistence. When they were very friendly for the interview, it made all the difference. When I transcribed quotes from the interviews, I realized how much it was worth it.

Third, this has always been something I've done in my free time. I've had plenty of free time over the last few years, so I figured I'd do something productive. But it's not something I could devote all my free time to. The Stephen King adage -- let your life dictate your art, not the other way around -- definitely applies here.

Lastly, the past year has been a number of edits and a search for a publisher. That step has been a journey itself, something I hope to write about further down the line.

So, that's been the past four years in a nutshell. Again, I appreciate the patience.

Comments

Todd Carruth said…
congrats on hitting the home stretch and best of luck!
I can't wait! Very exciting
Unknown said…
when's that book coming out?

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J