Skip to main content

musicforthemorningafter

I remember when Pete Yorn's debut, musicforthemorningafter, arrived at KTCU. This was at the tail-end of all these bands with Jeff Buckley/Radiohead imitators as lead singers (Ours and Paloalto come to mind) and I saw the cover and groaned. Yorn looked like a Jeff Buckley look-alike and matters didn't help that he was on the same label as the late great Buckley. Well, I'm glad somebody recommended me to listen to the record instead of looking at the cover.

My old bandmate Dave suggested a few tracks for rotation, so I listened to the whole record. I was very impressed and kept listening the record for many months. There isn't a stinker in the bunch and I recently dug the record out. It's still fresh to my ears but I wonder: whatever happened to this guy?

I didn't pick up his second record, Day I Forgot, because I didn't like its first single and my friends told me that the record wasn't very good. Even though they (as in, Best Buy, Target) sold the record for $5.99-$6.99, I still didn't pick it up. Call me fickle, but if a record is crap, no amount of money is worth it.

I know Pete released a double-live record, but I didn't pick that one up either. Come on, he's breaking the Foghat rule (as described in the Yo La Tengo's "Sugarcube" video): your fourth album must be double-live. (As a side note, I believe Foghat's fifth record was double-live).

All kidding aside, I'm curious what this guy will do next. His Columbia Records site is still active and it is updated often. I wonder if he's working on a new record. Hmm . . . .

Comments

Robert said…
I agree, Eric, that Pete Yorn record is incredible... and it is just baffling that the next record could be so subpar. Seriously, could you imagine if "Burrito" was on Musicforthemorningafter? Hell, no. It's a shame. It makes you think that there was some other force behind him for that record. Who produced that one?

xxoo
bob
Eric Grubbs said…
Scott Litt produced Day I Forgot.

Interesting. He did a great job on the Get Up Kids' On a Wire.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J