Skip to main content

The Trouble with Remakes

I blogged last week about why I rarely go out to the movies these days. Here is a big reason that I forgot to list: the windfall of remakes.

I can understand remaking a foreign language film into an American film (like Abre Los Ojos as Vanilla Sky). However, remaking an older American movie that is easy to find on TV or on DVD doesn't draw me to the box office.

The excuse of "modernizing" movies makes me wonder, do we really need a modernized version of a timeless film? Great films last over the years because they have timeless themes. Films like Psycho and The Wizard of Oz still hold up in their original form while their remakes are barely remembered.

When I hear the term, "modern," I associate it with being in the now. The problem is, what a lot of people perceive as "the now" is always changing. Committing something to film that is cool, hip or ironic for the time being dooms its shelf life. What's that classic line from Perfect? John Travolta says something to effect of "Health clubs - they're the singles bars of the Eighties!"

Great films last regardless of their special effects or fashions. Great films last because they engage the viewer in a deep and timeless way. You can talk about how cool the CGI effects are in the Lord of the Rings trilogy, but the reason why you keep watching it is because it is a timeless story of good vs. evil.

I keep hearing the excuse that teenagers/young adults are too busy with video games. Well, video game systems have been household items since the 1980s and they have held the attention of teenagers/young adults ever since. Nintendo was a household item when Tim Burton's Batman came out in 1989 and lots of younger people came out in droves to see that movie.

All I can say is this Hollywood, stop giving us lame rehashes of something that still holds up. I don't want excuses for crappy remakes. If you do remake something, add something fresh that's relevant in the long term. After seeing the trailer for this upcoming remake, you can guarantee that I'll see it in a theater in December. Why? Because I'm compelled to see it, not for the actors or the CGI, but for the engaging characters and story.

Comments

Kev said…
One theory I keep hearing as to why there are so many remakes is this: the studios, because of the high budgets under which movies are made these days, are either unwilling or unable to take a chance on "unproven" scripts. I've also heard rumblings of a dearth of quality screenwriters lately, though, again, it's possible that their ideas never get past the legion of corporate "suits" who are involved in the process. Even many of the "indie" outfits are owned or heavily bankrolled by the major studios now, so that avenue is generally closed as well.

I meant to chime in last week about the whole home-vs.-theatre experience, but I got swamped. I'll still go see the big blockbusters on the big screen (my home setup is nothing special at all at the moment) and generally don't encounter too many of the problems that were cited (though I could do without the loud commmercials, that's for sure). Seeing a Star Wars movie in a big setting like that could never be recreated at home, and now that an 18-screen AMC is being built within almost walking distance of my house, I'm sure I won't be forgoing that experience anytime soon.

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha...

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks!