Skip to main content

H2O Go!

"My friends look out for me like family" - from H2O's "5 Yr. Plan"

"I was thinking about the good ol' times/and all the people who helped me survive/and who the hell knows where I'd be without the branches of a family tree" - from H2O's "Family Tree"

While I haven't really kept up with H2O in the last few years (I don't even know what label they're on now), their impact on me is still felt. Here's the story:

Back in the late-'90s, I thought hardcore-tinged punk rock was synonymous with tough guy machismo. If you weren't ready to throw down in a mosh pit, it was best to stay away. I didn't hear much about brotherhood in this music; I heard shout-along slogans about being straight edge and how much life sucked. In other words, I thought all hardcore was a voice of frustration, not a voice of hope.

I was introduced to H2O via a short-lived show on MTV called Indie Outing, which showcased up-and-coming acts on indie labels. What struck me about the band was that despite their tough-guy image (musclebound guys with arms filled with tattoos), they were singing about the importance of friendship. This was hardcore too? This was great and I could relate to this. The band, especially singer Toby Morse, was very sincere (he still is). I picked up both their self-titled debut album and Thicker Than Water and proceeded to play them frequently for the next few months (and returning to them in the next few years). Eventually I got burned out on H2O following the release of their 2001 album, Go!, due to my dwindling interest in pop-punk.

As I think about the ideas that have stayed with me through the years, I keep going back to what Toby was singing about all those years ago. The attitude that you can have your own ideals and get along with people that don't match your's is really cool. I learned that you could be sincere, be honest with your feelings and not be cheesy. This was a little foreign with a lot of hardcore and punk back in my day.

So much of the hardcore that I saw was an uncompromising, "believe this or else," creed with strict beliefs on things like not drinking, not smoking and not fooling around. Seeing people flip out if someone wasn't straight edge or vegan or whatever else puzzled me: what does any of this have to do with the music? This was more like a violent cult filled with intimidation. This didn't seem like it was based on harmony.

H2O wasn't violence-inducing moshcore where you had to display your beliefs with X's drawn by a Magic Marker pen on your hands or with patches loosely sewn on your clothes. Talking about how important your friends were to you knew no boundary with race, age, scene or upbringing. This was what punk rock and hardcore meant to me and what it still means to me.

Comments

Eric said…
Nice post! H20 proved that sensitive guys with tattoos could also lift weights and rock their asses off.
Eric Grubbs said…
Amen to that!

"Don't forget your roots."
Anonymous said…
I agree completely. And I still do, especially since I got burned out on much of the punk scene for being too elitist for itself. I have always loved those H2O guys.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,