Skip to main content

Listening

I often wonder why people's opinions on music get tangled up because of perception. We're not blind; we judge the whole package (the music, the image, the coverage in the press, what critics say, etc.). But why do we discount the value of music because of things that have nothing to do with the listening of it?

I'd like to say that I judge every artist based on the music, but I'm guilty of this kind of scoffing too. For example, I have never enjoyed Britney Spears' music. What I've heard is trashy, beat-intensive R&B with faux-sexy vocals. Other than the outro to her song "Lucky" owing some melodic similarities to Bruce Springsteen's "Hungry Heart" and the chorus to "Oops! I Did It Again" reminding me of Barbra Streisand's "The Woman in Love," I have not made a connection to her music. Maybe because of the fact that I like the songs I compared to her songs is why I get some sort of feeling. With what I perceive as a person with hearing with ears and seeing with eyes, I know more about Spears' private life than her music. I have yet to hear of song of her's that I've thought, "Hey, this is a good song" nor have I read or seen anything about her that makes me curious about her.

It's amazing how perception changes over time. I think a big reason why is because stuff is taken out of the context of when it was first introduced. Looking back at certain things instead of every thing yields a thought of black and white clarity. There is a perception of exciting times, while the times weren't really that different from now. Whatever what was going on in politics, technology, music, art, film or pop culture, people were feeling good, bad and everything in between.

How the perception affects music listening paints a very interesting picture. I often hear about how the Ramones were a breath of fresh air when they first came out in the mid-70s. On the pop charts was disco, pop-country, crossover ballads, corporate rock and prog rock. Here were four scruffy guys in leather jackets playing 50s/60s rock & roll at a faster pace. Of course their image was striking for the Top 40 audience, but their music was even more striking. Even in this day with a commodified version of pop-punk, what holds up with the Ramones is their music. Maybe it's great since it was created with no commercial aspirations, but conception is not as important to me as to how I feel about the music.

I like the Ramones, but I enjoy Journey as much. I know that would be considered blasphemous by others, but I'm not going to hide what I like. A mere mention of Journey brings to mind the bloated excesses of '70s/80s corporate rock: monster guitar solos, over-the-top vocals and stadium anthems. Without being aware of their embrace by people when the band was at their commercial peak, all I have are their records to decide whether I like their music or not. Sure, the band wore funny clothes and appealed to the lowest common denominator, but I'm not thinking about that when I'm listening to their Greatest Hits collection.

I'm not saying we should all take a blind eye to music, but I think it's pretty cool to listen to music without having factors like image. I think it's interesting how we have a private relationship with all kinds of music but don't talk openly about them. I don't believe in calling something a "guilty pleasure" since there is no guilt in pleasure.

Comments

Eric said…
You like journey as much as the Ramones? Are you kidding me???

Actually, I probably do too. Always right on the mark.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,