Skip to main content

Major or Minor Threat? (update)

Dischord released this statement about Nike's usage of Minor Threat's album art for an ad:

To longtime fans and supporters of Minor Threat and Dischord this must seem like just another familiar example of mainstream corporations attempting to to assimilate underground culture to turn a buck. However it is more disheartening to us to think that Nike may be successful in using this imagery to fool kids, just beginning to becoming familiar with skate culture, underground music and DIY ideals, into thinking that the general ethos of this label, and Minor Threat in particular, can somehow be linked to Nike's mission. In any regard, we would like to thank the many people who have written to us in the last several days to express their outrage, support and encouragement.

Punknews.org scooped Nike's response:

Nike Skateboarding sincerely apologizes for the creation of a tour poster inspired by Minor Threat's album cover. Despite rumors being circulated, Wieden & Kennedy and Odopod had nothing to do with the creation of this tour poster and should not be held accountable. To set the record straight, Nike Skateboarding's "Major Threat" Tour poster was designed, executed and promoted by skateboarders, for skateboarders. All of the Nike employees responsible for the creation of the tour flyer are fans of both Minor Threat and Dischord records and have nothing but respect for both.
Minor Threat's music and iconographic album cover have been an inspiration to countless skateboarders since the album came out in 1984. And for the members of the Nike Skateboarding staff, this is no different. Because of the album's strong imagery and because our East Coast tour ends in Washington DC, we felt that it was a perfect fit. This was a poor judgment call and should not have been executed without consulting Minor Threat and Dischord Records.
We apologize for any problems this may have caused, and want to make very clear that we have no relationship with the members of Minor Threat, Dischord Records and they have not endorsed our products.
Every effort has been made to remove and dispose of all flyers (both print and digital). Again, Nike Skateboarding sincerely apologizes to Minor Threat and Dischord Records.




My opinion: apology accepted.

Comments

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha...

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks!