Skip to main content

Emo, Post-Hardcore - what's the difference?

An important distinction I want to make is that my book's topic is on post-hardcore and not on emo. Why make such a big deal about these names? There are plenty of reasons.

Doing word association, when I hear the word 'post-hardcore,' I think of patience, hard work, thinking for yourself and doing things out of necessity. In other words, concepts and ideas that made 1980s DIY so special and life-changing. When I hear the word 'emo,' I think of melodrama, vulnerability and wimpy. I don't think anyone wants to label his or her's way of life as melodramatic, vulnerable or wimpy.

Maybe I haven't done enough research on younger bands today, but I have yet to find a band that openly embraces the 'emo' tag. I believe it's fans (and non-fans) and writers who call these bands emo and all the other silly variations of the name.

What doesn't help is how intensely the 'emo' genre is marketed to a younger demographic these days. Stickers on CDs that compare a mediocre young band to a well-established, unique band is misleading. "If you love XXX and YYY, then you'll love QQQ!" Hello? Anyone ever heard of the law of diminishing returns? After a while, people get burned out on watering down when you relentlessly push it. Deny it all you want, but this law isn't going away any time soon.

I'll admit, this music moves me in a variety of ways. Yes, it's there when I'm upset and vulnerable but that's temporary. It really helps me (regardless of mood) when I think about hard work, being creative and just doing it.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J