Skip to main content

I practice daily in my room

In regards to the previous post (and Py's post on the same topic), I figured I'd share some more thoughts on the subject. Py mentioned how drum instructional videos "let you see superstar drummers break down complicated beats so you can feel like a talentless idiot." And I agree. But I think I've reached a point where my attitude about drumming has changed for the better.

Back when I was in middle school and high school, I had a desire for being a virtuoso on either guitar or drums. I chalk it up to getting into more technically proficient bands like Metallica, Rush and Dream Theater. Playing a lot of notes means you're a virtuoso, right? Well, that's one way of looking at it.

When I realized I didn't have the patience to learn guitar solos or complicated drumbeats, I forged ahead with a style that has been the style I like: simple, but not too simple or too unorthodox. Play for the song and don't over- or under-play. What all does that entail? Well, it varies from song to song. But I thought I had learned everything I wanted to learn and didn't think I had to learn anything new.

Well, after a few band practices spread out over a few months where I felt my playing wasn't up to snuff, I decided to focus on the basics of drumming. That meant getting out the old practice pad, doing some rolls and playing along with songs that I like. It's helped a ton when I get to sit behind my kit and I'd like to continue the woodshedding. This is not to dominate a jam session or show off. Rather, this is working up my skills already in place. That's what practice is, right?

I'm not interested in being an annoying drum nerd, but I'm not interested in being some lazy player. I've seen one too many guys play in the last few years who seem afraid to really play or just don't pay attention to the song they are playing. (And usually it's guys who think a ride cymbal is all you need to play with in a rock band.) Frankly, this has made me want to do something about it rather than sit back and complain.

Whether I like it or not, drumming is in my blood. Even when I'm not in front of a kit, I'm tapping along with something in my head. It explains the air-drumming that happens out of nowhere; often the amusement of those around me. I can't help it, but maybe this is something that's always been a part of me. I figure it all works with my attitude on life: there's a lot more to learn with stuff I've always been around.

Comments

Ted said…
I used to keep my drums in a practice space where there were many good players who also rented spaces there. When they started playing with their bands, the drumming was just a lot of busy/flashy stuff that didn't add much to the songs.

Popular posts from this blog

It's a Long Way Down

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it

I ain't got no crystal ball

I've never been a big fan of Sublime's reggae-punk-ska, but I feel bad for their hardcore fans. Billboard reports that a four-disc box set featuring previously released and unreleased material is on the way. How is this a bad thing? Well, the number of posthumous vault-raiding collections greatly outnumber the band's proper releases. That usually isn't a problem, but the quality of them is very suspect. When they were together, the band recorded three proper albums, Robbin' the Hood , 40 Oz. to Freedom and Sublime . Sublime would be the band's breakthrough record with the mainstream, but that success was very bittersweet. Shortly before its release, frontman/guitarist/songwriter Bradley Nowell died of a heroin overdose. In the following years, the effects of apparently a bad record deal have yielded compilation after compilation. Here's the rundown so far: Second Hand Smoke (1997) Stand By Your Van -- Sublime Live in Concert (1998) Sublime Acoustic: Br

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J