Skip to main content

What Might Have Been

Though I often worry about what might happen in the future, I'm not someone who really thinks about what might have been. In other words, I don't often wonder or dwell on what might have happened if I stayed in a band longer, if I decided to go to a different college, or if me and this certain girl became a couple. Like how I feel about nostalgia, thinking about what might have been often sheds the context of the past, making things seem more black and white in retrospect. And that's not really a good thing.

The few times that I've thought about the bands I was fired from, I took the firings as a relief from more drama that was to come. All of the bands encountered major drama after I left not because I left, but due to problems that were already there when I was in the band. That stuff really came to a head and I'm thankful I was spared from any more than I already dealt with.

In the case of college selection, just a few days in Lubbock a few years ago made me realize that I made the right choice in going to TCU in Fort Worth. Even though most of my family went to Texas Tech, I found TCU way more appealing. That decision is something that impacts me every single day I live in the Dallas/Fort Worth area, and I do not regret choosing TCU over Texas Tech.

And in the case of possible relationships, I find not really knowing what could have happened much more easier to deal with than the memory of a bad relationship. I know people say experience is experience, but I argue that I cannot deal with the guilt and shame that comes with a relationship that went really awry.

Thinking about all of this now, it's strange how much time I put into thinking about what might happen because I do or don't do this or that. The past can't be changed, so why think that thinking about what might have been is going to make the present any better?

Comments

Popular posts from this blog

It's a Long Way Down

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it

I ain't got no crystal ball

I've never been a big fan of Sublime's reggae-punk-ska, but I feel bad for their hardcore fans. Billboard reports that a four-disc box set featuring previously released and unreleased material is on the way. How is this a bad thing? Well, the number of posthumous vault-raiding collections greatly outnumber the band's proper releases. That usually isn't a problem, but the quality of them is very suspect. When they were together, the band recorded three proper albums, Robbin' the Hood , 40 Oz. to Freedom and Sublime . Sublime would be the band's breakthrough record with the mainstream, but that success was very bittersweet. Shortly before its release, frontman/guitarist/songwriter Bradley Nowell died of a heroin overdose. In the following years, the effects of apparently a bad record deal have yielded compilation after compilation. Here's the rundown so far: Second Hand Smoke (1997) Stand By Your Van -- Sublime Live in Concert (1998) Sublime Acoustic: Br

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J