Hell Freezes Over

I don't know why it's taken me so long understand this aspect of reporting, but without fail, a lot of drama makes for good copy. More specifically, when it comes to covering bands in the press, whenever you have warring words between current and former members, it always seems like something worth writing about and having people read. It's like you have a big new cow with plenty of milk ready to come out. Of course, when the band members reunite, it's like all's well, even though there's all this bad blood in the press.

Earlier today, I read this article on Creed's recently-announced reunion. I was reminded of the years of very pointed words between singer Scott Stapp and the other former members, especially Mark Tremonti. Then I read this article on UB40's now former singer and the possibility of reuniting with the group: "I will never again play with the remaining members of UB40 while I live and breathe."

I bring all this up not to be a robot and pretend like I've never said anything mean or harsh about somebody behind his or her's back. Oftentimes you just want to express your hurt by saying hurtful things. But for me as a rock music fan, and knowing full well that bands are made up of human beings, I can't help but take caution whenever estranged band members appear all chummy-chummy again. From blink-182 to Van Halen to the Smashing Pumpkins to Suede, I just wonder what can really turn people around from saying hurtful things into saying lines about how "time heals" and so on. And I'm not so sure money is the sole root.

Comments

It's a Long Way Down

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it

I ain't got no crystal ball

I've never been a big fan of Sublime's reggae-punk-ska, but I feel bad for their hardcore fans. Billboard reports that a four-disc box set featuring previously released and unreleased material is on the way. How is this a bad thing? Well, the number of posthumous vault-raiding collections greatly outnumber the band's proper releases. That usually isn't a problem, but the quality of them is very suspect. When they were together, the band recorded three proper albums, Robbin' the Hood , 40 Oz. to Freedom and Sublime . Sublime would be the band's breakthrough record with the mainstream, but that success was very bittersweet. Shortly before its release, frontman/guitarist/songwriter Bradley Nowell died of a heroin overdose. In the following years, the effects of apparently a bad record deal have yielded compilation after compilation. Here's the rundown so far: Second Hand Smoke (1997) Stand By Your Van -- Sublime Live in Concert (1998) Sublime Acoustic: Br

Best of 2021

Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks. (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do. J

Theme Park Experience

Search This Blog