Skip to main content

Hey, remember the 90s?

I can't remember exactly when or where I heard this last week, but something about 1990s nostalgia was brought up in a conversation. Something was mentioned about how it was going to be the next nostalgia trend with people my age and younger. As in, more modern bands referencing 90s bands and people throwing parties centering around a theme that is very 90s-centric. And within just a few days, I talked with some friends at a party that were en route to a party where people were asked to dress up as a character from a 90s' sitcoms.

I know nostalgia doesn't stop, and I don't think nostalgia is a bad thing, but I find things strange to experience nostalgia for an era that actually lived through.

Being a teenager who was born at the end of the 1970s meant there were no 8-tracks, Led Zeppelin concerts, or a Vietnam War to deal with in your teenage years. So it's easy to imagine how things were much cooler in the 70s when the Ramones and the Clash put out their debut albums and how awesome films like Star Wars and The Godfather were in the theater. While Nirvana, Pearl Jam, and Pavement were cool at the time in your teenage years, there was this strange (but understandable) kind of connection to a past where you weren't there. It's the, "things just aren't what they used to be" kind of thought process.

I'm very guilty by association with feeding into a mentality that certain things in the 90s were "better" (see my first book and my second book in the works), but I'm not trying to change the course of the past and alter the future. Rather, I think it's necessary to talk about the context of the day to understand why certain bands and movies were great in their day and are still great today.

That said, I'm definitely not somebody who wants to pretend like the 90s never ended. Far from it. I'm definitely not the same person I was in middle school and high school, and I don't pine for those days as much as I pine for the days ahead. I think I'll find myself in a time warp for the next few years seeing oversized pants, flannel, and vintage Big Muff distortion pedals back in style.

Comments

Richard of DM said…
just wait until everyone is '00s nostalgic. this decade has no discernible styles or trends whatsoever. no wait, i forgot about tight pants.

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J