Skip to main content

Wallpaper hangin'

A few years ago, Kev did a blog post about a "wallpaper" gig. As in, he was playing music meant to be in the background. Over the weekend, I did my first DJ gig as a wallpaper artist as well.

My aunt's 50th birthday party was Saturday night. She had an entire restaurant in downtown McKinney rented out for the night and she asked me to provide music for the party portion after dinner. She had suggested music from her college days, like the Go-Gos, A Flock of Seagulls, and Talking Heads. Since I have a vast library of songs from the '80s (popular and not-so popular), this was a piece of cake.

I wanted to keep the music peppy and recognizable. You can't be a punk purist about everything in life, you know. And when you're DJing something other than your personal playlist, you have to understand that you're not the only one listening to the music. I might know how awesome "One in a Lifetime" sounds in Stop Making Sense, but the average listener probably knows the opening lyrical stanza and chorus hook at most. Generally speaking, I wasn't so sure most of the attendees even knew who the Talking Heads were. But they enjoyed my playlist.

Another big thing I wanted to make sure went well with this gig was the music's volume. Meaning, not too loud, but not too soft. My reasoning is because of a certain late-night place that I like to go with Diana, Ryan, and/or Matt. On some nights, its P.A.'s insanely loud volume drowns out a normal speaking voice, so we all have to yell at each other. The volume doesn't really fit the vibe since the place is very chill and relaxed.

Keeping that in mind, I asked my father (who provided the P.A.) to keep things at my (and the whole place's) preference of a volume level. No one complained that things were too loud or too soft.

DJing is a fun thing to do and I see no problem serving the crowd. If you wanted to hear the newest Dillinger Escape Plan record, I'd play it in the car or at home for you. I'm not about to put that on something for a general audience. Hell, most people I know who like all kinds of music cannot get into those guys.

This kind of DJing isn't settling; it's doing the job asked of you.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J