Skip to main content

Tomorrowland

Sunday night, Matt and I stayed up a little later than normal to watch the Mad Men season finale. Matt has seen all of the episodes the show as produced. I, as I've previously mentioned, only started watching the show this season.

I don't have anything against the show's previous three seasons. I really wanted to watch something with Matt where I was the newcomer to the show. The same applies to watching Alias with Diana. I've been the LOST and Fringe geek telling people about various tidbits and story arcs. I like reversing the roles; it helps me understand how to tell somebody about a show beyond the "You just have to watch this from the beginning" excuse.

With what happens in "Tomorrowland," I was expecting some bomb of a cliffhanger. Instead, it was a point of pause. I'm not so sure this is a show that needs to have a character get shot by a mysterious person or a major forward of time in the last few minutes of the episode. No, if there's some desire for "real life" in television, well, there are some shows that go closer to that route.

Yes, the show is great to look at, with its design and look. The acting is fine and the scripts are pretty well done. I plan to watch future seasons. Alas, my desire to actually devote many hours of catching up on a show is lacking for now. Maybe it's the desire to work on two more books and read more books than ever before.

All I can say now, is that I've come a long way from watching Behind the Music and Real World marathons and wondering where the time went.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J