Skip to main content

Grandpa Grubbs

There's an ongoing joke in our house about a nickname that I can't seem to live down. Whenever I'm near my blue recliner, Matt calls me Grandpa Grubbs and asks what Grandpa Grubbs is about to do. Usually, Grandpa Grubbs gets a book to read and a blanket so Victory's always-shedding hair doesn't get everywhere.

This often results in a nap. Just like how a grandfather would be.

I take zero offense to this nickname. A mutual work friend brought it up last December as we decorated the Christmas tree. With Victory by my side and slippers on my feet, the only thing missing was a pipe and a hearing aide.

As much as I claim to be an old soul, I merely do this because of practical reasons more than anything else. Victory is a very clingy dog and tends to get antsy is she's gone too long without certain kinds of attention. Her lying in my lap usually calms her down. Plus my recliner is very comfortable to read in and I usually fall asleep in it after a while. (I should mention my grandfather had this recliner until he passed away.)

Lately, I've been trying to listen to records on the turntable and fall asleep. I had done this in college as a way to keep tumult in my life at bay. It's nice to drift to sleep hearing something like Sigur Ros and waking up to silence or more Sigur Ros. It's a peaceful feeling.

All I know is, I might act like grandpa for a couple hours a day, but the rest of the day is a delicate balancing act between a youthful attitude and having something of an adult life. And I'm happy with that.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J