This week's edition is with Jonas from Turbo Fruits. Usually, I have my interviews scheduled, taped, and transcribed well before my Tuesday afternoon deadline. I was going to interview a different member of the band on Tuesday, but when I called him, he said he was in the hospital. He suggested that I talk to a different member of the group and I rescheduled with the publicist. My interview with Jonas finally happened last night at five, but he was afraid his call was going to drop because he saw mountains ahead on his drive. Luckily, the signal did not drop and we had a great conversation.
Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air
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