There are times when reading about music bums me out. Bummed to the point where I think the writers only want to hear free jazz while being stoned and/or drunk, huddled alone, spacing out in a dilapidated home. I enjoy reading perspectives from people who take the time and effort to investigate why a certain record or an entire catalog connects with people. (When I mean "people," I mean people who actually identify with the music and they carry that connection for the rest of their lives.) But if someone is going to continually bad-mouth a popular act, I have to wonder why this person is going on and on about it. "Okay, it's not for you," I think to myself. (I say this knowing full well of how much I despised a popular form of emo ten years ago and wrote a lot about it on this here blog.) If I were to only abide by music critics, especially those from the 70s and 80s, and fear verbal stoning for disagreeing with them, I should not speak up. Especially wh...