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Art is Hard

A few new stories to share that I have recently written. I followed up with Dallas-based filmmaker Jeremy Snead, who made an excellent documentary called Video Games: The Movie. From talking about the kinds of reactions to his film to his upcoming series on video games, we had a great talk.

Over the weekend, I had to be in Houston for my father's 70th birthday party. People I had not seen since 2002 would be there, and I really wanted to go. Luckily I escaped Dallas before the snow and ice shut down the city.

While I was down there, I decided to review the Cursive/Beach Slang/Megafauna show at Fitzgerald's for the Houston Press. I had a great time watching Cursive for the sixth time and the openers for the first time. Beach Slang is all kinds of incredible, and I was happy to see them as they are on the rise.

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The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...