Skip to main content

Coming Up

Now playing:
(The London) Suede Coming Up

Played flag football and kickball this afternoon and I am beat. I'll be stiff tomorrow, but it's all good.

Opted out of going to Guided By Voices' last show in town before they change their name back to Robert Pollard. Instead, I saw five local bands last night. The band that really stuck out for me was the Happy Bullets. Really good fun songs with layers of harmonies (vocals, guitars, brass and keyboards).

Been listening to the Reputation quite a bit this weekend. Elizabeth really knocks 'em out of the park.

I think I should really check out the Incredibles. It looks very cool and plus Chasing Amy's Jason Lee voices the bad guy. Apparently the folks over at Pixar liked his delivery in Dogma and cast him.

Shall do some more reading on Britpop! before I head to bed.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,

A Year in Music (2019 Edition)

Another great year of music came through my eardrums. Some were from new acts, others came from acts I’ve loved for many years. This is a collection of albums that brought me the most joy in the year. I also compiled a lengthy list of my favorite songs of the year here . Holding Patterns, Endless Three former members of Crash of Rhinos made an album that is on the level of their former band. Dare I say Endless is better -- in some aspects -- than that incredible five-piece’s second album, Knots . Imagine the shouting of Hot Water Music with the dynamics ala . . . And You Will Know Us By the Trail of Dead and Sonic Youth, along with drumming that is not afraid to run over the beat. Just fantastic from start to finish. American Football, LP3 American Football’s third self-titled album is another stellar addition to the band’s discography. For a band that was originally a one-off while the members were in college (and their first LP was done mainly a