Say, "Fear is a Man's Best Friend"

Song in my head:
"Fear is a Man's Best Friend" (written by John Cale) by Channels

I can't believe it, but I'm not too sore or stiff from the outdoor activities from yesterday. I feel fine.

Whenever this movie gets made, I will see this.

I haven't seen Friday Night Lights, but I think it's really cool that Explosions in the Sky did the score for it. Pitchfork has a review of it today.

Jim DeRogatis has a very cool article and interview with Charles Thompson aka Frank Black.

It happened again this morning: I got called Larry. Sometimes you think you say your name as clearly as possible, but it still doesn't come out like that. The first time I was called this was at a wedding in 1993. Until last year, nobody had called me that since then. In the last year, I've been called Larry five times. Sure, 'air' is the common sound but where do people get the 'el' and 'ee' from?

I made a new mix CD yesterday. 18 tracks including "The Day Brings" by Brad, "Trash" by Suede, "We Believe in Karma" by Piebald, "Home" by Leona Naess, "Rust" by Echo & the Bunnymen, "You Faded" by Chavez and Channels' version of John Cale's "Fear is a Man's Best Friend." Still need to make a mix CD of songs from Left of the Dial and Ben Folds three EPs.

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The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,

Best of 2021

Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks. (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do. J

Theme Park Experience

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