Skip to main content

Then I wake up and you're not there

I think now would be a good time to resurrect my version of what Frank often does on his blog. Except in my case, I want to share videos of songs from my childhood before Nirvana and grunge came along.

To recap: I was not born with a hip taste in music, so a lot of Top 40 music in the Eighties was my introduction to modern music. Since I'm not one to piss all over my past and pretend like it never happened, I like to bring up songs that I still like even though I have a much different perspective now.

One of the most inescapable hit songs of 1986 was Glass Tiger's "Don't Forget Me (When I'm Gone)." It was a regular on the playlist for New Orleans' B97, so I heard it quite a few times and always liked it. But these days, it seems like one of the many big hits from this era that you don't hear often on the radio or in clubs. I guess it's not as danceable as "You Spin Me Round" or tests as well with focus groups. For me, even though its processed drumbeats and basslines sound incredibly dated, I still like the walking melodies in the verses and choruses. And Bryan Adams' vocal cameo is still a nice touch.

Scrolling around through their videos on YouTube, they are very cheeky and laughable now, but not out of the ordinary in its day. The buttoned-up shirts and mini-mullets are just some of these characteristics. Despite all this, I can't dismiss how much I like this song. Plus, I wonder where the band is now. Turns out they are still together with almost all of the original line-up intact. As a matter of fact, they even made an appearance on NBC's Hit Me Baby One More Time TV show.

What I find compelling (and this ties into what I wrote about yesterday), Glass Tiger was an Eighties pop band, pure and simple. So it makes sense why they look like so many peer pop groups. They weren't originally a hardcore band that ditched hardcore for fame and fortune. That actually is rare and even when the band does this, there is an understandable reason why. I may never know how or why Simple Minds ditched their post-punk for Top 40 hits, but they were a rarity.

Something fundamental to a band's evolution is its roots. If a band started in LA by transplants in hopes of making it big, then it shouldn't be surprising if they cop a rockstar attitude. But there are bands that want to be a working band that does music all the time instead of being a pop band. I think any band should strive for its fullest, desired potential. From the fan angle, I might cringe at the sound of many Fall Out Boy songs and their image, but at least they're doing what they want.

So, cheers to Glass Tiger for helping me understand this.

Comments

Rj said…
ha! you said cheeky...

Popular posts from this blog

Go Where You Wanna Go

It's been a year since I moved away from Lakewood, and even though I could relocate to a new place as a newly-single guy, I've chosen to stay where I am. I enjoy living in North Dallas/Richardson given its central location, being not too far away from places I have enjoyed going to in my fourteen-plus years living in Dallas County. Living in Lakewood for nine years was critical for me, but I am glad I don't have homeless people going through my garbage, my street getting shut down like it's Mardi Gras on Halloween night, and I don't have to answer to the not-so-friendly landlords who bought my old place. I have a new housemate moving in at the end of the month and I have many reasons to be excited as he's been a friend for many years. Couple that with a humongous  new record store opening in nearby Farmers Branch , shows to see, and a quick trip to Los Angeles for something very cool (for which I reveal at a later date) and I'm happy to say fall is sha...

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

Socials

 Hey, everyone! You can find me on several other platforms: http:/ http:// themeparkexperience.substack.com http:// Instagram.com/ericjgrubbs http:// TikTok.com/@ericjgrubbs http:// threads.net/ericjgrubbs http:// ericjgrubbs.bsky.social Thanks!