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Clap your hands if you want some more

Just a public service announcement: the Pipettes' We Are the Pipettes was released in North America this week. To my eyes and ears, it's proof positive that pop music 1) can still sound like it was cut by real human beings in a real studio, 2) be fun but not fluffy, and 3) be sexy but not slutty. It's worth your time to check them out if you agree.

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I've been listening to the UK version for well over a year and couldn't agree with you more. It's killing me that I was going to catch their Cleveland show last week, but delays in their visa paperwork mean I'll be in Dallas for Thanksgiving when the rescheduled show takes place.

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The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...