Skip to main content

Drum Basics 1

While a number of the campers at Rock N Roll Fantasy camp got to play with some of their idols from their teen years, I had a chance to meet a guy who was quite helpful in my drumming skills early on. It wasn't like meeting Dave Grohl, Lars Ulrich, or Stewart Copeland, but I came to know who Sandy Gennaro was by Christmas 1994.

Sandy was featured on a VHS tape called Drum Basics 1, something my father got me for Christmas. I had started playing a drum set earlier that year and my dad thought the tape would be helpful. It was to a degree, but it was really designed for people that had never sat down behind a drum set before. The degree that was helpful involved playing straightforward beats as solidly as possible. That's something I still find a useful technique.

I had a chance to meet Sandy about seven years ago when he played with the Monkees at Billy Bob's. As I stood in line to get a picture with Mickey and Davy, Sandy walked by all sweaty and tired. I decided to let him pass and not geek out.

Flash forward to last summer and my editor at the Observer asks me if I'm interested in interviewing David Fishof from Rock N Roll Fantasy Camp. I saw that Sandy was a camp counselor and brought up my little story to David. He was quite impressed with the story and he brought it up when he introduced the two of us on Friday.

Luckily for me, I had the chance to have two lessons with Sandy, along with some of the other drummers in the camp. I never had a drum lesson in my life. I've always tapped along, watched other drums, and played to records (and played a lot of shows too). There's always room to improve with something you love, so I gladly took Sandy's advice on drumming. (Now to find a metronome at Guitar Center that won't remind me of the metronome we had over our home piano or the ones in the high school band hall.)

What I'm very happy about the experience of doing the camp was that my sixteen years of self-taught drumming, composition, and band relations have been incredibly valuable. And seeing how hard Sandy pounded his drum set, I'm glad to say that people always respond to when it's obvious you're playing your heart out.

Comments

Richard of DM said…
That is an awesome story, duder.

Sigh. I'm telling you. One dark and terrible day, we will jam and you will be disappointed. But I won't.

Popular posts from this blog

It's a Long Way Down

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it

I ain't got no crystal ball

I've never been a big fan of Sublime's reggae-punk-ska, but I feel bad for their hardcore fans. Billboard reports that a four-disc box set featuring previously released and unreleased material is on the way. How is this a bad thing? Well, the number of posthumous vault-raiding collections greatly outnumber the band's proper releases. That usually isn't a problem, but the quality of them is very suspect. When they were together, the band recorded three proper albums, Robbin' the Hood , 40 Oz. to Freedom and Sublime . Sublime would be the band's breakthrough record with the mainstream, but that success was very bittersweet. Shortly before its release, frontman/guitarist/songwriter Bradley Nowell died of a heroin overdose. In the following years, the effects of apparently a bad record deal have yielded compilation after compilation. Here's the rundown so far: Second Hand Smoke (1997) Stand By Your Van -- Sublime Live in Concert (1998) Sublime Acoustic: Br

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J