Skip to main content

A tree and a toilet seat

For the first time since college, I'm happy to see a real Christmas tree in my home. Not in any way am I slighting people that put up a fake one, but there's something fun about getting the real thing. Even the sap.

On a fluke last week, Matt and I talked about getting a real Christmas tree from a local lot. We picked one out on Saturday with our respective girlfriends and decorated the whole thing last night (before The Walking Dead, of course). Positioned underneath my TCU toilet seat and in front of the fireplace, there's a seven-foot tree with a tree skirt like one you'd find in Whoville.

I can recall when the most amount of Christmas decorations I put up was a strand of lights that draped over my sliding glass door. Coming from a house that was filled with decorations to that was very deflating, but I didn't really see the need to go all out.

I understand there are people who think Christmas is a bunch of phony materialism, but I've always enjoyed the whole experience. It's fun to be creative and tidy things up around the house. There's an element of joy in doing something that you know will only last for a month once a year. But you make that month count and savor the whole time.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J