Skip to main content

Collateral

I'm here in Chicago and already having a really good time. Nick and I watched Micheal Mann's Collateral last night. As a fan of Tom Cruise (just as long as I keep the TV off and don't click on all those video interviews on the 'net) and Jamie Foxx (just as long as I avoid Stealth), I thought they were perfect in a film that didn't bow to cliches or routine black-and-white crime noir.

Prior to seeing this, the only Mann film I had seen was Manhunter. Yes, the first film adaptation of Thomas Harris's Red Dragon was called that and it feels more like a Miami Vice episode (Mann was one of the men behind that show by the way) than anything else. Collateral makes me want to see Mann's other work like Heat and the Insider. Yes, it's that good.

A few years ago, I had a spell where I enjoyed rather over-the-top action crime flicks starring the likes of Bruce Willis. Those were cool but other than big shootouts after one-liners and more shootouts, I slowly realized that these kinds of movies are best in the popcorn variety. Sure, they're fun but after you watch them you aren't talking about how amazing the script is or the direction. You marvel at how much of a bad-ass such and such was and how cool the action scenes were. Never would I think that I would watch a noir flick waxing philosophy between the bullets.

There are quite a few movies lying around Nick, Aaron and John's loft that I haven't seen. I hope I have some time to watch them all.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J

Hello, Control

I'm still a big fan of iTunes . I haven't tried Napster , Urge or eMusic as I've been perfectly happy with Apple's program ever since I downloaded it two years ago. However, an annoying new feature has come up with its latest version, 7.0. Whenever you pull up your music library, a sidebar taking up 3/4ths of the screen appears plugging the iTunes Music Store. Why is this an annoyance? Well, first and foremost, since you can't close the sidebar, you can't escape it. I believe a music library is a private collection, a spot away from the music store. So what's the need for constant advertisements and plugs? To provide a better visual, let me describe what I see whenever I pull up a song in my iTunes library. When I listen to "This is a Fire Door Never Leave Open" by the Weakerthans, I see a graphic for Left and Leaving , the album that it comes from (and available in the iTunes Music Store), along with a list of the Weakerthans' other albums,