Skip to main content

Thin White Line

Good news for Jawbox fans: their third album, For Your Own Special Sweetheart, will be finally be reissued on Dischord later this year with three bonus tracks. Remembering when this reissue was announced back in 2004, this is pretty fantastic and all that good stuff. But the bad news for Jawbox completists: the band's cover of the Avengers' "Thin White Line" will not be on this reissue. Nor is "Falk" or "Chump II."

Essentially, this Sweetheart reissue contains the original album, along with the B-sides from the Savory+3 EP. These three B-sides ("68," "Lil' Shaver," and "Sound On Sound") are fantastic non-LP gems. A Peel Session version of "68" originally appeared on the My Scrapbook of Fatal Accidents compilation, but not the original studio version. "Sound On Sound" gets the double-dip reissue, but "Lil' Shaver" has never been reissued anywhere else before.

While I've never heard "Falk" or "Chump II," I actually have "Thin White Line" on CD. I just so happened to be very lucky in picking up a copy of the super-rare "Cooling Card" promo at the CD World on Greenville Avenue five years ago. The deal is, I've only heard the song once, and I've never really pined to hear it again and again. Not that it's a bad song; it's just not a lost gem. (I won't lie: it is nice to have the song on something physical and CD-quality.)

I remember reading an interview in AP with Kim Coletta about why certain B-sides were not featured on the My Scrapbook of Fatal Accidents comp. If I remember correctly, it was their comp and if they didn't think the song was good, they didn't include the song on there. Wise choices because there really isn't a stinker on the comp, and there are a lot of songs on there. Bad songs wear good comps down, you know?

Of course, the atmosphere of being a completist for any band is much, much different now in the world of SoulSeek and torrents. You can scour all you want online, but it's nothing like scouring through a used record store looking for CD singles or 7-inches with songs not found on reissues or box sets. And probably the biggest difference: when you got one of those rarities in physical form, you didn't have to wonder if the sound quality was less than 192.

So, good news for those who have always wondered why Jawbox's third album is such a treasure. And to think, this was originally released on a major label. Now, how's about a reissue of that final, self-titled Jawbox album from 1996?

Comments

Popular posts from this blog

It's a Long Way Down

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it

I ain't got no crystal ball

I've never been a big fan of Sublime's reggae-punk-ska, but I feel bad for their hardcore fans. Billboard reports that a four-disc box set featuring previously released and unreleased material is on the way. How is this a bad thing? Well, the number of posthumous vault-raiding collections greatly outnumber the band's proper releases. That usually isn't a problem, but the quality of them is very suspect. When they were together, the band recorded three proper albums, Robbin' the Hood , 40 Oz. to Freedom and Sublime . Sublime would be the band's breakthrough record with the mainstream, but that success was very bittersweet. Shortly before its release, frontman/guitarist/songwriter Bradley Nowell died of a heroin overdose. In the following years, the effects of apparently a bad record deal have yielded compilation after compilation. Here's the rundown so far: Second Hand Smoke (1997) Stand By Your Van -- Sublime Live in Concert (1998) Sublime Acoustic: Br

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J