Skip to main content

A dropped-D metal band we called Requiem

I always get happy when I plow right through a good book. Whether it's a long book like a Harry Potter book or a short one like Carrie Fisher's Wishful Drinking, there's a sense in accomplishment when I finish something in just a few days or even a day.

Usually I take at least three weeks to finish a book, but that's when I only read a handful of pages a day.

What always helps is when I have a great desire to read a book and keep reading the book until I finish. I'm happy to say that I started and finished the newly-released, Our Noise: The Story of Merge Records, in two days. Why? Because it's that good.

I must admit tremendous bias here because I am very much a fan of books that cover the supposed "lost" years between grunge, pop-punk, and garage rock in the mainstream. Seen only as transitional years only years before, I like hearing stories about bands and labels that survived the post-Nevermind years. Merge's story is quite interesting, given how they once were a label that put out a lot of Superchunk 7-inches and (many years) later put out records that debuted in the Top 10 of Billboard's Top 200 chart.

For the most part, the book's format is an oral history, along with transitional paragraphs. There are plenty of quotes directly from the sources (Mac and Laura from Superchunk/Merge are co-authors), and that lends plenty of credibility to the book. Frankly, it's more of question of who wasn't interviewed. Yup, the book is that thorough.

Most of the label's story is told in conjunction with Superchunk's story, and as a Superchunk fan since college, I had no problem with reading page after page. A number of other notable Merge acts get chapters devoted to them, be it Matt Suggs' various projects, the Magnetic Fields, Spoon, or the Arcade Fire, they illustrate a lot without having to go into detail every single band that the label has worked with. (There is an updated discography at the end though.)

Anyway, if you want to read a refreshing take on what it's like for an indie to stay level-headed even when flushed with cash, read this.

Comments

Popular posts from this blog

The Complete Idiot's Guide to Catherine Wheel

Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air...

The Complete Idiot's Guide to Ben Folds and Ben Folds Five

Originally posted on Tuesday, April 11th, 2006 : For some, Ben Folds Five was merely a one hit wonder. For others, the trio was a life-changer. Myself, I’m one of the latter. Being formally introduced with the “Battle of Who Could Care Less” video on 120 Minutes , I was very intrigued to know more about this piano-bass-drums combo. Once I heard Whatever and Ever Amen , I was hooked. As a matter of fact, out of all of my favorite bands, Ben Folds Five is one of the few that I liked right away and I have held the same kind of admiration ever since. Their three proper albums (and one b-sides collection) are staples in my record collection and they may very well be (or soon be) staples in your collection too. For a band that was once described as “punk rock for sissies,” you may realize how effortlessly these guys walked between fun, semi-goofy pop songs and some really deep and powerful stuff too. It helps that they had it right from the beginning and kept maturing. Ben Folds Five (1995) ...

Politics Shmolitics

Yesterday, the more pleas I saw for people to go out and vote, the more uncomfortable I felt. Plenty of the blogs I hit up everyday said something along the lines of "Vote and if you don't, don't complain." Folks, this is why I find discussing politics so alienating. There are plenty of reasons why I don't discuss politics on here or in my everyday conversations. The biggest reason is because I don't have a lot of interest in politics in the first place. By what I've seen, heard and read for the last eight years, political debates are usually pissing contests. Judging by the views I've processed, it would be easy to think that we're all slowly going downhill either on the left, right or down the middle. Yet I don't think we're going totally downhill or totally uphill. Debating the direction we're going seems futile, especially when adults start screaming at each other like they're in grade school. To my ears, political debates are s...