Skip to main content

Until that darkness was gone

Sometimes you have revelations about matters that have been in your orbit for a long time. And these revelations make you reassess why something has not been closer to you before. These days, it's the Bouncing Souls for me.

I wonder why I have not loved this band more. I mean, I've seen them play twice (and I enjoyed both times), own a number of their records, and would see them again if I had the chance. Yet something eluded me about them until I watched Do You Remember?, a documentary on the band, last week.

I remember when my friend Sarah interviewed Greg Attonito, talking about Do You Remember? as it was in the pre-production stage. There was about fifteen years of footage available to use and a lot of hope as to when this documentary could come out. The documentary eventually came out and I passed on taking a look. I don't remember why I chose to do that, but that's what I chose.

Recently finding a used copy and watching it a few days later, I had to ask myself why this band isn't one of my favorite pop-punk bands of all time. Maybe not in the case of entire albums by the band, but certain songs have stuck with me long after my initial love of pop-punk started to wane. "Kate is Great" is one of them. The song's lyrics seemed to sum up my life through college and after college, even though it was written from the perspective of a guy passing on college and living in a group house with his bandmates.

I think the key reason why is, while I think the band is incredibly sincere in what they do, the level of humor has been a little too high for my taste. Blame the number of silly songs on the self-titled record, but aside from songs like "Kate Is Great," "Say Anything," "Kid," and their version of the Kinks' "Better Things," the band has been a fun band instead of a meaningful band.

This perspective changed drastically as I watched the band perform "Gone." For the first time, I paid attention to the lyrics and really took note of the chorus's melody. Even though it could remade into something you'd hear in a church (yes, you heard me correctly), I find the song very fitting these days. Look past how simple it is to play on guitar, the song's a simple tale of overcoming. And I buy into this mindset completely. Maybe that's why I've listened to the song at least twice every day since last week.

Once again, here's to rediscovering a band from your past and realizing there's so much more to digest and enjoy.

Comments

Popular posts from this blog

It's a Long Way Down

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it

I ain't got no crystal ball

I've never been a big fan of Sublime's reggae-punk-ska, but I feel bad for their hardcore fans. Billboard reports that a four-disc box set featuring previously released and unreleased material is on the way. How is this a bad thing? Well, the number of posthumous vault-raiding collections greatly outnumber the band's proper releases. That usually isn't a problem, but the quality of them is very suspect. When they were together, the band recorded three proper albums, Robbin' the Hood , 40 Oz. to Freedom and Sublime . Sublime would be the band's breakthrough record with the mainstream, but that success was very bittersweet. Shortly before its release, frontman/guitarist/songwriter Bradley Nowell died of a heroin overdose. In the following years, the effects of apparently a bad record deal have yielded compilation after compilation. Here's the rundown so far: Second Hand Smoke (1997) Stand By Your Van -- Sublime Live in Concert (1998) Sublime Acoustic: Br

Best of 2021

  Last year, my attention span was not wide enough to listen to a lot of LPs from start to finish. Too much went on in 2020 to focus on 10-15 albums, so I went with only a couple to spotlight. Well, 2021 was a little better, as I have a list of top four records, and a lot of individual tracks.  (I made a lengthy Spotify playlist ) So, without further ado, here’s my list of favorites of the year: Albums Deafheaven, Infinite Granite (listen) Hands down, my favorite album of the year. I was not sure where Deafheaven would go after another record that brought My Bloody Valentine and death metal fans together, but they beautifully rebooted their sound on Infinite Granite. The divisive goblin vocals are vastly pared-down here, as are the blast beats. Sounding more inspired by Slowdive, the band has discovered a new sonic palette that I hope they explore more of in the future. It’s a welcome revelation. I still love their older material, but this has renewed my love of what these guys do.  J