Light one candle because this blog is a year old today. Chicago isn't losing its flavor with me (now the parking situation is a different story) and I'm seeing plenty. The Art Institute and Punk Planet visits went very well yesterday and now I'm wondering what exactly I'll be doing today. I can tell you this, we're all excited about the show at Beat Kitchen tomorrow night and hope that we all have a good time. I'm not placing any bets on how the show may or may not go. I focus on the fact that I'll be seeing four acts that I want to see and hang out with. Stay tuned . . .
Originally posted: Tuesday, August 29th, 2006 Despite managing to release five proper albums, Catherine Wheel was one of those bands that always seemed to slip past the mainstream rock crowd. Yes, they got some nice airplay in their day, but people seem to have forgotten about them. You may hear “Black Metallic” or “Waydown” on a “classic alternative” show on Sirius or XM or maybe even on terrestrial radio, but that’s about it. For me, they were one of most consistent rock bands of the ’90s, meandering through shoegazer, hard rock, space rock and pop rock, all while eluding mainstream pigeonholing. Led by the smooth, warm pipes of vocalist/guitarist Rob Dickinson (cousin of Iron Maiden’s Bruce Dickinson), Catherine Wheel featured Brian Futter on lead guitar, Dave Hawes on bass and Neil Sims on drums. They weren’t a pretty-boy guitar band, but they weren’t a scuzzy bunch of ragamuffins either. Though the band hailed from England, Catherine Wheel found itself more welcome on American air
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