Theme Park Experience

Earlier this week, a number of people I used to work with in broadcasting shared pictures, lists, and stories on social media for National Radio Day. Rather than write out a list of stations I worked for -- either as an intern, promotions assistant, producer, or traffic reporter -- I thought about advice I would give about the broadcasting world, along with reflection. No matter the field, I hate the advice of “Don’t” when people consider working in a field. Also, I hate the line of, “You’ll never make any money in it,” assuming people only want to get rich going into any field. I still remember what it was like to be eager to learn about a world I felt drawn towards, whether it was broadcasting or journalism. And I remember how the bitter folks made for a lot of excess noise and were in the way of finding things out for myself. I was in broadcasting for almost 20 years, until last year. And I have zero regrets being in it. I now work full-time for an auction house, where the maj...

For almost two years, I have worked on a sequel to my first book, Post . Titled Forever Got Shorter: Reunions, Revivals, and Another Look at the Influence of Post-Hardcore 2009-2019 unless I come up with a better title, this book continues to be a DIY, labor of love project. And I’m happy to say I’ve reached a breakthrough in the research process. Something I must address in this new book (that I was able to sidestep in Post ) was how far the reach of mainstream emo was from 2001 until 2011. From Fall Out Boy to My Chemical Romance to Taking Back Sunday, it would be unfair to avoid the cultural significance of these acts, no matter how I felt about their music at the time I wrote Post .  I’ve come to accept that a lot of people think emo/post-hardcore is only reflected in the stereotypes that came from fans of the mainstream version of emo. Eyeliner, flat-ironed hair, black nail polish, black clothes, and lots of yelping/screaming in a very calculated sort of way. But I...

There was a time when I listened to Ryan Adams' music practically all the time. Back in 2001, as I finished college and tried to navigate post-college life, the double dose of Whiskeytown’s Pneumonia and Adams’ Gold led me to everything else he had made before. It was countrified rock music that spoke to me in a deep way, mainly on the musical front. I don’t tend to really pay attention to lyrics, but I connected with Adams’ lyrics about being young and perpetually heartbroken. I thought some self-inflicted mental pain about awkward and failed attempts at relationships put me in the headspace to relate to songs by Adams, as well as Bright Eyes. There was so much time and energy spent on anger and sadness directed at myself for things not working out, so I found solace in songs like “Harder Now That It’s Over” and “The Rescue Blues.” As it turned out, there was a pattern in my life: if I had a little taste of a feeling of sadness or anger, I could relate to those who had it ...

The topic of participation trophies seems to come up more and more when describing why people aged 25 and younger seem to settle for mediocrity. It's an easy, straight line to make, especially in the sports world, as a women's basketball coach proclaimed in a press conference in 2016. As in, a child is raised to believe any kind of effort deserves to be rewarded -- no matter the win-or-lose outcome -- and he or she can't tell the difference later in life. As someone who's about to turn 40, this apparently modern idea is not one to me. I played in an outdoor soccer league for a few years in the mid-1980s. At the end of each season, the coaches threw the team a party and gave each player a small trophy and ribbon. Neither the trophy nor ribbon said something like "Best Striker" or "Best Keeper." They were generic. Even then, as an elementary school student, I didn't think these trophies meant something grand. It was simply proof that I playe...

This year, I made an effort to be more open about listening to a bigger variety of music. I’m always up for listening to new music, but for quite a while, it was more passive than active. As in, I would listen to what friends would recommend more than actively tracking down stuff on my own. In 2018, I listened to a lot more modern music on the radio than I have in many years, as well as frequently checking Spotify’s Discover Weekly playlist. So, I believe this list is a bit more diverse than previous years. But before I get to that, I have something special to share. In hopes this doesn’t sound like a lame piece of self-promotion, my band Caved Mountains released our debut collection of songs, A Slow Decline , in January. I’ve played in bands since 1996, but it was not until this year that something I played on was released worldwide. I’m immensely proud of the work we put into this, and it was nice to have local bloggers write about us and have radio stations like KXT and KTCU p...

Over the final weeks of summer, I found myself watching a lot of episodes of Bar Rescue . As in, as many as I could watch on TV and online for days. I had been aware of the show for years, but I never realized how host Jon Taffer is more of a life coach than a consultant until he was a guest on a friend’s podcast. Though I don’t have any aspirations of owning a bar someday, I struggle with anxiety and pride issues. That’s why I found Taffer’s tough love really engaging to hear. What he had to say to delusional owners rang true. It was easier to understand my hang-ups reflected in people that had even worse ones. I even bought his book, Don’t Bullshit Yourself! Crush the Excuses That Are Holding You Back , and read it in record time for my usually slow reading rate. One episode that really stuck with me involved a California bar owner who insisted his dive bar only needed upgrades to its interior, but not any improvements that could very likely bring in more paying customers. He w...

If it weren't for Chuck Brinkman, I highly doubt I would have ended up in the traffic reporting business. Not long after I graduated college and had worked in radio promotions for a few Infinity Radio stations, I was offered the chance to produce the afternoon show on KLUV, then an oldies station. I had known the previous producer and she did not like the job whatsoever. Eager to see what the job was really like, I took it on.  Though I made mistakes on my first day, Chuck gave me another chance and let me come back the following day. As tough as this job was, I ended up working for Chuck for two years.  During that time, which seems like a very short period in retrospect, I remember laughing quite often. There were things to do at all times, from answering the listener line to relaying messages to account executives. Yet there was time to hear stories about introducing and interviewing the Beatles, being around the Carpenters, and random trivia about 7-inch sing...